They Come to Return Home published in Hexagon

Greetings, wondercats. How are we all? I am currently in the process of shifting my entire book collection into a cupboard so that we can move our furniture ready for the fitting of new carpets. With the upper body strength of a newborn lamb, this is a trial. It is lovely, however, to comb through them all. I have good taste, if I do say so myself.

Do you know who else has good taste? (Do you see what I did there? Ahem.) That’s right—JW Stebner, the might behind the glory that is Hexagon. Am I biased because JW has chosen my work not once but twice? Potentially. But just look at the contents list of Issue 12. Wonderful. This is such an exciting issue and I am so pleased to be a part of it.

Issue 12 features my eco-horror, “They Come to Return Home”. This story, or rather a selection of images from this story, haunted me for months before any words made it onto the page. I’m giddy that it’s finally out in the wild.

Should you wish to read it—and I really hope you do—you can expect:

🌊Superstition
🌊Storms
🌊Siblings
🌊Sea-dwelling giants (sort of…)

You can read Heaxagon for free here.

The sea turtle squalls in the sand and, when she tries to edge away, it whispers, “They come.”

Marcelline’s head knifes up until her gaze meets the horizon. Dread, like sweat, soaks her collar and balls in her throat. There, in the distance—spreading like ink on wet paper—is a gargantuan figure, hip deep in the ocean. It is joined by another, and another, each one taller than the next. The sea turtle rolls its great head into her lap and looks up at her with a glassy eye. “They come. They come to return home.”

— ELOU CARROLL, “THEY COME TO RETURN HOME”, HEXAGON SPECULATIVE FICTION MAGAZINE, ISSUE 12

Ghostlore: Hauntings & Ironwood out now!

Today is an exciting day. Today is the first time I have had two publications drop at the same time. My insides are fizzing, I’m so excited. I’m like a shaken bottle of Pepsi, open me and I will explode. (In place of my organs, you will find only glitter and ghosts.)

The first is Ghostlore: An audio fiction anthology. Part Two: Hauntings, edited by Lyndsey Croal for the Alternative Stories and Fake Realities podcast. This episode is all about hauntings and spooks and is altogether a very eerie listening experience. I love it. My own story, “We Cower in a Ruined Castle and Hope Not to Hear a Ghost”, is narrated by the absolutely fantastic Sally Walker Taylor and features a local ghost—the Drummer Boy from Dudley Castle.

I cannot express how much I adore this production. You can listen below or via all the usual podcast channels.

My second publication of the day is issue two of Hexagon SF Magazine’s MYRIAD zines: Ironwood, edited by Anna Madden (who I had the great joy of appearing alongside in Hexagon Issue #4 in 2021).

“The Curse Uncursing” is a story about a witch and the importance of specificity when it comes to bargaining with faerie folk—or ‘unfolk’, as I call them.

This publication is doubly exciting as Ironwood also features a story by Lyndsey Croal, editor of Ghostlore!

It all feels a little bit like fate—if you believe in that sort of thing.